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Carlotta - the museum database

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1A. Lönnquist, Caddo Pottery Collection, The Royal Swedish Academy of Sciences (....).
1Aalto Pentti. 1953. A Catalogue of the Hedin Collection of Mongolian Literature. Stockholm. i The Sino-Swedish Expedition publ. 38 VIII.6. Contributions to Ethnography, Linguistics and History of Religion. Ambolt, Nils. 1935. Karavan. Stockholm. Bartholomew, Terese Tse. 1991. Sino-Tibetan Art Of the Qianlong Period from the Asian Art Museum of San Francisco i Orientations. Boyer, Martha. 1952. Mongol Jewellery. Köpenhamn. Broman, Sven. 1981. Chinese Shadow Theatre.Stockholm. Bunce, Fredrick W.1933. An Encyclopaedia of Buddhist Deities, Demigods, Godlings, Saints and Demons. New Delhi. Dickinson, Gary & Wrigglesworth, Linda. 1990. Imperial Wardrobe. Hongkong, Oxford Catalogue of the Tibetan Collection... The Newark Museum. vol V. 1971. Newark. Cammann, Shuyler. 1952. China´s Dragon Robes. New York Edmund, Will. 1934. Pointers and Clues to the Subjects of Chinese and Japanese Art. London. Eimer, Helmut. 1972. Tibetica Stockholmensia (I) i Zentralasiatische Studien. Essen, Gerd-Wolfgang/ Tsultem, Tashi Thingo. 1989. Die Götter des Himalaya Buddhistische Kunst Tibets. München. Faegre, Torvald. 1979. Tents Architecture of the Nomads. London. Frédéric, Louis. 1995. Buddhism, Flammarion Iconographic Guides. Paris. Goidsenhoven, Jaques van. 1970. Art Lamaique, Art des Dieux. Bruxelles. Goldstein, Melvyn C. och Beall, Cynthia M. 1994. The Changing World of Mongolia´s Nomads. Los Angeles. Gomboiev, Nicolai. Catalogue of Collection of Gods of the Lamaist Pantheon (Tibetan and Mongolian). Peking. Gyllensvärd, Bo. 1977. Kinesisk konst under 5000 år, Östasiatiska Museets Utställningskatalog. Malmö. HBE. Hedin Bendix Expedition, kortregister, Arkivet (anges HBE) Heissing, Walther, Müller, C. Claudius. 1989. Die Mongolen band 1 och 2. Haus der Kunst München. Hedin, Sven. 19 Jacobsen, Robert D. 1991. Imperial Silks of the Ch´ing Dynasty. Minneapolis Kaufmann, Walter. 1975. Tibetan Buddhist Chant. London. Lavizzari-Raeuber, Alexandra. 1984. Thangkas Rollbilder aus dem Himalaya Kunst und mystische Bedeutung. Köln. Lessing, Ferdinand, Diederich. 1942. Yung-ho-kung... i The Sino-swedish Expedition Publ. 18, VIII Ethnography 1. Stockholm Map of the People´s Republic of China. 1985. Montells reseanteckningar, "svarta boken" Montell, Gösta. (Hummel, D.) 1932. Vägledning. Från tält och tempel i Fjärran östern. Liljevalsch konsthall. Stockholm. Montell, Gösta. 1934. Våra vänner på stäppen. Stockholm. Montell, Gösta. 1940. The Torguts of Etsin-gol. London. Montell, Gösta. 1945. As Ethnographer in China and Mongolia 1929-1932, i History of the Expedition in Asia 1977-1935 part IV. Stockholm MLK. Montells lappkatalog, arkivet på FME, (anges MLK)
1Aarflot 1948, s. 105-106. The New Grove Dictionary of Musical Instruments 1984, uppslagsord sanxian, vol. 3. Aarflot, Olav. 1948. Kinesisk Musikk. Oslo. The New Grove Dictionary of Musical Instruments. Ed. Stanley Sadie. Macmillan, London. 1984.
1Acta Americana (1995 vol. 3, Nr 2), Special Issue on Amerindian Psychotropic Plants.
2Adeyemi, Kunle. 2008. New Wine. Kunle Adeyemi Studios. __ 2009. Dispatches from My Art. Kunle Adeyemi Studios. Galleri Astley. 2009. Kunle Adeyemi. Tradition och samtid.
1Africa: The art of a continent. Royal Academy of Arts, London 1995, s. 315.
13African Metal Implements. Weapons, Tools and Regalia. 1984. New York.
4African metal implements. Weapons, tools and regalia. 1984. New York. Andersson, Efraim. Contribution à l'Ethnographie des Kuta I. 1953. Uppsala.
1African Metal Implements. Weapons, Tools and Regalia. 1984. New York. I boken African Weapons (Werner Fischer, Manfred A. Zirngibl. Passau, 1978) presenteras knivar, svärd, kastknivar, yxor och dolkar från skilda delar av Afrika. Där återfinns exempel på föremål som även finns bland EM:s samlingar. Men boken ska läsas kritiskt, då den har fått kritik av tidningen African Arts, maj 1980, för bl.a. sina generaliseringar, faktafel och brist på källhänvisningar. (Om man vill läsa hela kritiken ligger den kopierad i boken). /KB
10Afrikas kraft, tre perspektiv, 2010, Espoo Museum of Modern Art, utställningskatalog
1Aftonbladet och N.D.A. den 4/6, samt Sthlms Dagbl., Soc.Dem. och Sv. Morgonbladet den 5/6.
1Afzelius, Adam. 1967. Sierra Leone Journals 1795-96. Ed Peter Kup, Uppsala: Studia Ethnographica Upsaliensia XXVII. Bassani, Ezio. 2000. African Art and Artefacts in European Collections 1400-1800. Ed. Malcolm McLeod, London: British Museum Press.
1Afzelius, Adam. 1967. Sierra Leone Journals 1795-96. Ed Peter Kup, Uppsala: Studia Ethnographica Upsaliensia XXVII. Bassani, Ezio. 2000. African Art and Artefacts in European Collections 1400-1800. Ed. Malcolm McLeod, London: British Museum Press.
4Aksadal, Björn, Musikinstrumentens historie i de islamiske kulturområden. Ringve Museum, 1980. Musik i nordafrika, Red. Krister Malm och S. Olofson Sveriges Radio-Utbildningsradion, 1974.
2Aksdal, Björn: Musikinstrumentens historie i de islamiske kulturområden. Ringve Museum, 1980. Musik i Nordafrika, Sveriges Radio-Utbildningsradion, 1974.
1Alegria, Ricardo E. Ball Courts and Ceremonial Plazas in the West Indies. Yale University Publications in Anthropology. Nr. 79. New Haven. 1983. Brunius, Staffan. Svensk Amerikanistik och Taino. Kulturrådet. Statens Kulturråd Informerar. Nr. 7. Stockholm. 1992. Ekholm, Gordon F. Puerto Rican ¿Collars¿ as Ball-Game Belts. I: Essays in Pre-Columbian Art and Archaeology. S.K. Lothrop et al. Harvard University Press. Cambridge. 1961. Fiedel, Stuart J. Prehistory of the Americas. (2nd ed.) Cambridge University Press. USA. 1992. Garcia Arévalo, Manuel Ant. El Arte Taino de la Republica Dominicana. Museo del Hombre Dominicano (Santo Domingo), ed. Fundación Garcia Arévalo, Inc y Embotelladora Dominicana, C. por A . (Seven-Up). Spain. 1977. Handbook of South American Indians. The Circum-Caribbean Tribes. Vol. 4. Smithsonian Institution. Bureau of American Ethnology. Bulletin 143. New York. 1963. Hatt, Gudmund. Notes on the Archaeology of Santo Domingo. Geografisk Tidskrift. Copenhagen. 1932. Herrera Fritot, Rene. Estudio de las Hachas Antillanas. Departamento de Antropologia. La habana. 1964. Jacobs, Francine. The Tainos. The People Who Welcomed Columbus. G.P. Putnam´s Sons. New York. 1992. Jane, Cecil. The Four Voyages of Columbus. Dover Publications, Inc. New York. 1988. L´Art des SculpteursTaïno. Chef-d´Oeuvre des Grandes Antilles Precolombienne. Jacques Kerchache, ed. Musee du Petit Palais. Musees de la Ville de Paris. Paris. 1994. La Cultura Taína. (antologi). Comisión Nacional para la Celebración de V Centenario del Descubrimiento de América. Madrid. 1983. Levine, David, ed. Americas Lost. 1492-1713. The First Encounter. Bordas. GEA Milan. 1992. Lovén, Sven. Origins of the Tainan Culture, West Indies. Elanders Boktryckeri Aktiebolag. Göteborg. 1935. Milanich, Jerald T och Susan Milbrath. First Encounters. Spanish Explorations in the Caribbean and the United States, 1492-1570. University of Florida Press. Florida Museum of Natural History. USA. 1989. Rouse, Irving. The Tainos. Rise and Decline of the People who Greeted Columbus. Yale University Press. New Haven & London. 1992. Stevens-Arroyo, Antonio M. Cave of the Jagua. The Mythological World of the Tainos. University of New Mexico Press. Albuquerque. 1988. Tabio, E. och E. Rey. Prehistoria de Cuba. Departamento de Antropologia. Academia de Ciencias de Cuba. La Habana. 1966. Taino. Los Descubridores de Colon. Museo Chileno de Arte Precolombino. Santiago de Chile. 1988. Wilson, Samuel M. Hispaniola. Caribbean Chiefdoms in the Age of Columbus. The University of Alabama Press. Tuscaloosa and London. 1990.
1Alm, Harald. "Kärlek på jorden - Siljansgården och Siljanskolan under femtio år. Minnen, tankar, drömmar av Harald Alm." 1964. Falun.
1Alvarsson, Jan-Åke. 1988. The Mataco of the Gran Chaco. An Ethnographic Account of Change and Continuity in Mataco Socio-Economic Organization. Acta Universitatis Upsaliensis, Uppsala. Alvarsson, Jan-Åke. Indiansk kosmologi reflekterad i tre väskmönster. Jan-Åke Alvarsson, red. (ed.) Amerikas Indiankulturer. 1997. Nordenskiöld, Erland von, 1903, Från högfjäll och urskogar, stämningsbilder från Anderna och Chaco, Stockholm. Ibid, 1911, Indianer och Hvita i Nordöstra Bolivia. Stockholm ibld 1912, De sydamerikanska indianernas kulturhistoria, Stockholm. ibid 1919, An Ethno-Geographical Analysis of the Material Culture of Two Indian Tribes in the Gran Chaco, Göteborg. Metraux, Alfred, 1939, Myths and tales of the Matko Indians, Etnologiska Studier, vol 9, Göteborg.
1A Mazapan grave at Teotihuacan, Mexiko., Ethnos 1938, s.167-178.
1Ambassador to Sweden, Dept. of Foreign Affairs, Australian Government
1Ambrosetti, Juan B. Exploraciones Arquelogicas en la Ciudad Prehistorica de "La Paya" Campañas de 1906 y 1907, Buenos Aires, 1907-08. Debenedetti, S. Salvador, "Noticia Sobre un Cementerio Indigena de Baradero, Buenos Aires 1911. Publicaciones de la Sección Antropológica no 9, Facultad de Filosofia y Leteras, Buenos Aires. ibid. Arkeologiska forskningar på de förhistoriska kyrkogårdarna på "Isla Tilcara, Buenos Aires 1910" (sökes i biblioteket) se även Stig Rydéns övriga litteraturhänvisningar i generalkatalogen.
1Anderson , E. Contribution à léthnographie des Kuta I. sid 65, fig.
1Anderson, H. Allen (2010) "BLACK HORSE [TU-UKUMAH], Handbook of Texas Online
1Andersson, 1953, s 336-44. Perrois, Luois, "Arts du Gabon", s 35 Paris,1979. Före Picasso, 1988, s 185.
1Andersson, 1953:59.
1Andersson, 1953:87.
1Andersson, Efraim, 1958. Messianic Popular Movements in the Lower Congo, Uppsala.
1Andersson, Efraim. 1953. "Contribution á l' ethnographie des Kuta 1". Stockholm. Börrisson, C.N. 1925."Katalog och beskrivningar över Svenska Missionsförbundets missionsetnografiska vandringsmuseum från Kongo". Malmö. Cornet. Joseph. 1971. Art of Africa. Treasures from the Congo. London: Phaidon. Hammar, J. "Förteckning över Svenska Missionsförbundets Museum(M.S.). Jacobsson- Widding, Anita. 1979. "Red-White-Black as a mode of thought: a study of triadic classification by colours in the ritual symbolism and cognitive thought of the peoples of the Lower Congo". Uppsala. Laman, Karl. 1953-68. "The kongo 1-4". Stockholm. Lehuard, Raul. 1974. "Statuaire de Stanley-Pool". France. MacGaffey, Wyatt. 1991. "Art and healing of the Bakongo". Stockholm Saunders, Barbara. March 2000. "Revisiting basic color terms", ur "The journal of the Royal Anthropological Institute", vol.6, nr 1. Oxford. "Masterpiece from Central Africa". 1996. Utställningskatalog Tervuren Museum. Red. Gustaaf Verswijver et al. Munich. Segy, Ladislas. 1989. "African Sculpture Speaks". New York. "The Four Moments of The Sun". 1981. National Gallery of Art. Washington. Widman, Ragnar. 1967. "The Niombo Cult among the Babwende". Stockholm. Willett, Frank.1994. "African Art".
1Andersson, Efraim. 1958. Messianic Popular Movements in the Lower Congo. Studia Ethnographica Upsaliensia XIV, 1958.
1Andersson 1953:61.
1Ang. inv. 1839.03.1: Jfr. Partington & Heape. Album of the Pacific Islands, lll, pl. 198. fig.5-8. Zettel-inventariet nr. 596. "Smitts förteckning" nr.45. Anteckning i originalkatalogen: Trakten av East Cape, Nordön, enl. dr. H.D. Skinner 1936. Ang. inv. 1839.03.2, hänvisn. till Zettel- inventariet nr. 682. /US
1Angående mállangan se: Krämer, A: Die Málanggane von Tombára, München 1925 Peekel, G: Die Ahnenbilder von Nord-Neu-Mecklenburg, Anthropos XXl, 1926 och XXll, 1927. Speiser, F: Über Kunststile in Melanesien, Zeitschrift f. Ethnologie, 1936. Heft 4/6. /US
1Archivio do Museo Nacional do Rio de Janeiro, Vol VI, 1885. (rekommenderad läsning i brev från kapten F. Detthow, januari 1935, brasilianskt arbete på över sambagnis).
1Arizpe, Lourdes "Cultural change and ethnicity in rural Mexico" i Environment, Society and Rural Change in Latin America". Ed. D. A. Prescott, 1980 John Wiley & Sons Ltd. Ovanstående artikel tar upp Los Conceros, ett brödraskap i Mexico City på 1970-talet. På axelkragen finns ett sidenband med Los Conceros namn fastsatt.
1Arkivet, Utställningsdokumentation 1983
1Arkivet, Utställningsdokumentation 1990
36Arkivet, Utställningsdokumentation 2005
1Arkivmaterial
2Arkivuppgifter, se plåtskåpet.
1Arlington, L. C. 1930. The Chinese Drama from the earliest times until today, Shanghai.
1Art and healing of the bakongo. 1991. Macgaffey, Wyatt. Stockholm-
1Art and healing of the bakongo. 1991. MacGaffey, Wyatt. Stockholm.
1Arthur G. Brodeur, Philologist, Is Dead. The New York Times. September 15, 1971
5Artikel i Bohusläningen 1941.08.14
1Artikeln "Billig design: Prylarna från Syd" av Wilhelm Östberg i boken U-design, redigerad av Salka Hallström Bornold, Svenska Institutet, 2006.
1Artiklar i : Bohusläningen 1941.08.14 Bohusläningen 1959.05.19 Bohusläningen 1961.02.04 Bohusläningen 1962.08.25 Bohusläningen 1964.04.30 Göteborgs-tidningen 1961.02.05 Kuriren 1961.02.04
3Arts et Objects du Maroc. armes bijoux ceramiques MAROC. abc collection. Paris 1974.
3ASEMUS på Internet
1Ashencaen, D. och Leonov, G. 1995.The Mirror of Mind - Art of Vajrayana Buddhism. London: Spink, s . 100. Catalogue of collection of Gods of the Lamaist Pantheon (Tibetan and Mongolian). Peking. Författare och tryckår saknas. Chandra, L. 1987. Buddhist iconography, 1,2. New Delhi: Aditya Prakashan. 2 s. 717 ff. bild 2300-2334. Chandra, L. och Vira, R. 1961-1972. A New Tibeto- Mongol Pantheon. New Delhi: I.A.I.C. Bild nr. 171, 172, 175-178, 184, 185, 191, 192, 198, 199, 205, 206, 212, 213, 219, 220, 226, 227, 232, 233, 238, 239, 245, 246, 252, 253, 258, 259, 264-267. Clark, W. E. 1937. Two Lamaistic Pantheons, 1,2. Cambridge, Massachusetts: Harvard University Press, 1 s. xiv ff., 2 bild A1A13, 22-25, 30-34, 37-61, B82-116. Eracle, J. 1970. L' art des thanka et le bouddhisme tantrique. Genève: Musée d'ethnographie, s. 70 f. Essen, G.-W. och Thingo, T. T. 1989. Die Götter des Himalaya, 1 Tafelband, 2 Bestandskatalog. München: Prestel Verlag, 2 s. 21 ff. Lauf, D.-I. 1976. Secret Revelation of Tibetan Thankas. Freiburg im Breslau: Aurum Verlag, s. 54 f. Lavizzari Raeber, A. 1989 (1984).Thankas, Rollbilder aus dem Himalaya - Kunst und mystische Bedeutung. Köln: DuMont Buchverlag, s. 161 f. Lessing, F.D., The eighteen worthies crossing the sea, Reports 38/VIII:6, Stockholm 1954. Olschak, B. C. 1972. Mystik und Kunst Alttibets. Bern und Stuttgart: Hallwag Verlag, sid. 136 ff., bild nr. 97.131. Pander, E. 1889. Das lamaistische Pantheon. I Zeitschrift für Ethnologie och i Bibliotheca Buddhica, Vol.5 (ed.) S.F. Oldenburg, St. Petersburg 1903. Pander E. 1890. Das Pantheon des Tschangtscha Hutuktu. IVeröffentlichungen aus dem kgl. Museum für Völkerkunde in Berlin, 1, 2/3 (ed) A. Grünwedel. Schumann, H.W. 1986. Buddhistische Bilderwelt. Köln: Eugen Diederichs Verlag, s. 114 f. Tucci, G. 1949.Tibetan Painted Scrolls. Rom: La libreria dello stato, s. 357 ff.
1Asiatic Mythology. 1932. London Dower, John W. 1991: The Elements of Japanese Design. A Handbook of Family Crests, Heraldry and Symbolism. Tokyo (första upplaga 1971) Edmunds, W H. 1934: Pointers and Clues to the Subjects of Chinese and Japanese Art. London Mikami, Tsugio. 1983: The Art of Japanese Ceramics. Tokyo Nationalencyklopedin. 1991. Höganäs (band 6) Saunders, E Dale. 1960: Mudra. A Study of Symbolic Gestures in Japanese Buddhist Sculpture. New York Schumann, H W. 1986. Buddhistische Bilderwelt. Köln Smith, L, Harris, C, Clark, T. 1990. Japanese Art. Masterpieces in the British Museum. London Teikoku´s Complete Atlas of Japan. 1987. Tokyo Varley, Paul och Kumakura, Isao (ed.) 1989. Tea in Japan. USA Wilson, Verity. 1986. Chinese Dress. London. Victoria & Albert Museum Yonemura, Ann. 1979: Japanese Lacquer. Freer Gallery of Art. Washington
1Asiatic Mythology. 1932. London Edmunds, W H. 1934: Pointers and Clues to the Subjects of Chinese and Japanese Art. London Schumann, H W.1986: Buddhistische Bilderwelt. Köln Smith, Lawrence, Harris, Victor och Clark, Timothy. 1990: Japanese Art. Masterpieces in the British Museum. London
1Asiatic Mythology.1932. London Edmunds, WH 1934. Pointers and Clues to the Subjects of Chinese and Japanese Art. London Schumann, H W. 1986. Buddhistische Bilderwelt. Köln Smith, L, Harris, C, Clark, T. 1990. Japanese Art. Masterpieces in the British Museum. London
1At A Glance: Born: Sometime between 1880 and 1883 Died: December 20, 1984 Maiden Name: Dick Race/Nationality/Ethnic Background: Native American, (Northern Paiute tribe) Married: Jimmy George Children: Eight (several died in infancy) Primary City and County of Residence and Work: Fallon (Churchill County) Major Fields of Work: Folk arts (preserving Paiute crafts and customs) Other Role Identities: Wife, Mother, Household Domestic, Language Interpreter, and Tribal Elder. Biography Wuzzie George, a Northern Paiute woman, learned Paiute tribal customs from her grandmother. She then spent an important part of her life teaching and demonstrating her skills and knowledge, thus preserving those tribal traditions. She also preserved Paiute customs through her work with Nevada anthropologist Margaret Wheat. Wuzzie was born sometime between 1880 and 1883 to Sam and Suzie Dick. She was born somewhere in the Nevada mountains during a pine-nut gathering expedition in the fall. Her Paiute name was Wizi?i, meaning “Small Animal,” which is pronounced similar to Wuzzie, the white man’s version of her name. Her ancestors were of the group of Paiutes called “Cattail-Eaters.” During her childhood, she lived near “Indian Village,” about 60 miles east of Reno near the Carson Desert. The Nevada towns of Fallon and Stillwater are now located where Wuzzie spent most of her life. Wuzzie’s grandparents, who were known as Stovepipe and Mattie, played a major role in shaping her life. During the 1880s and 1890s, the Northern Paiute Indians were adopting some of the white ways and working for white people. Wuzzie’s father, Sam Dick, worked for a rancher named Charles Kaiser herding sheep, building fence and working as a general ranch hand. This is where he learned to speak English. Wuzzie’s mother, Suzie, washed dishes at John Sanford’s hotel in Stillwater. While her mother worked, Wuzzie spent her days with grandmother Mattie, who taught Wuzzie the traditional skills of the “Cattail-Eaters.” Wuzzie and Grandmother Mattie began each day by gathering greasewood for the hotel’s kitchen stove. In exchange, they were given breakfast. Afterwards, they spent their days walking to the sloughs and rivers to fish. They gathered berries and tules, dug roots, and collected pine pollen and honeydew from the cane. Wuzzie learned to make the baskets that were used to carry water, berries, nuts and seeds, and her grandmother taught her how to gather duck eggs and hunt ducks. While they worked, Grandmother Mattie told Wuzzie stories about her life and her tribe’s first contact with whites, such as this one: “Before the [1860] war at Pyramid Lake, the Indians lived in tule houses for miles along the Carson Slough. Indians lived everyplace. Smoke all over when Indians built their fires in morning. That’s what my grandmother said. When soldiers threw poison in river lots of them died. Killed lots of them. After that, not so many. My people in the mountains that time. That’s what my grandma and grandpa always say. Stay over there on the mountains all winter, make house over there on mountain. That’s why they never catch it, the poison. We call that place, where Indians died, ‘people’s bones’… ” When Wuzzie was ten years old, her parents separated. Wuzzie moved away from her grandmother and went with her mother, Suzie, to the Ernst ranch. There she worked for white people for the first time. Her job was to iron towels, and being a small child, she had to stand on a box to reach the ironing board. She also watched a herd of sheep. Her wages were ten cents a day, which she spent on candy at Jim Richard’s store. Mrs. Ernst talked to Wuzzie while she worked, so Wuzzie began to learn English. When her mother died, Wuzzie’s father took her to live with his mother in Virginia City. She was not there long before she was moved to Carson City to enroll in the new Indian School. Her father removed her from school after just six months, fearing
1Augur, Helen, Zapotec. New York, 1954. Beals, Ralph L., The Peasant Marketing System of Oaxaca, Mexico. University of California Press, Berkeley and Los Angeles, California, 1975. El Universo del Amate. 1982. Museo Nacional de Culturas Populares, Mexico D.F. Malinowski in Mexico, The Economics of a Mexican Market System. Bronislaw Malinowski and Julio de la Fuente. Edited and with an Introduction by Susan Drucker-Brown. London, 1985. Paddock, John ed., Ancient Oaxaca, Discoveries in Mexican Archeology and History. California, 1966. Parsons, Elsie Clews. Mitla, Town of the Souls and other zapoteco-speaking pueblos of Oxaca, Mexico. Chicago, 1936. Sandström, Alan S. and Pamela E. Sandström, Traditional Papermaking and Paper Cult Figures of Mexico. University of Oklahoma Press, Norman, 1986. Sayer, Chloë, Arts and Crafts of México. London, 1990 Sayer, Chloë, Mexican Textiles. London, 1990 Svensson, Irene, Mexikanska vävarbönder i A. Hjort red. I utvecklingens skugga, Stockholm, 1983 El Universo del Amate. Museo Nacional de Culturas Populares, Mexico, 1987 Van der Velde, Paul and Henriette Romeike Van der Velde, The Black Pottery of Coyotepec, Oaxaca, Mexico. Soutwest Museum Papers # 13, Los Angeles, december 1939. Whitaker, Irwin and Emily. A Potter´s Mexico Albuquerque, 1978.
1Auktionspris ovan angivet enl katalog 644 från Smitskamp Oriental Antiquarium september 2003 där liknande målningar erbjuds för drygt 1000 Euro.
1Avbildad i Bolinder, Svarta folk i Västafrika, s 215.
1Avbildad och omskriven i The Kongo 1. 1953, s 134.
1Av Nordenskiöld: Indianlif i El Gran Chaco (1910), Indianer och vita (1911), Sydamerikass indianer (1912), Antropogeografiska studier i östra Bolivia (Ymer 1910).
1AW1
1Axel Philip von Otter