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Korea collections 2 - Joseon - Wood & lacquerwork :: Trä & lackarbeten

Object description: I den här delen av samlingen finns bland annat ett antal olika trämöbler. Möblerna under Joseon (1392-1910) gjordes för att passa människors hem och livsstil. Rummen var vanligen små med låg takhöjd och oftast uppvärmda genom ett speciellt värmesystem som låg under golvet (ondol på koreanska). Värmesystemet är en av anledningarna till att Korea varit en sittande kultur, där de flesta av de dagliga sysslorna utförts sittandes på golvet. Möblerna var anpassade efter detta och var därför ofta låga, och på ben för att undvika att undersidan blev överhettad. I överklasshem levde kvinnor och män i separata delar av huset och detta återspeglas i möblernas design och funktion. I männens del av huset ansågs det lämpligt med enkla möbler, bland annat skrivbord, bokhyllor och förvaringskistor. I kvinnornas del av hemmet fanns klädkistor, sylådor och askar för brevpapper och speglar, ibland färgglada och med dekor. Träslag som användes var bland annat zelkova, kejsarträd, päron och furu. Utsmyckade beslag var också typiskt för möbler under Joseon, ofta i form av lyckobringande symboler eller djur. Lack användes i dekorativt syfte och för att skydda möbler och lådor. Lackerade föremål smyckades ofta med inlagda mönster i pärlemor, metalltråd, sköldpaddsskal och oxhorn. Populära motiv var vin- och blomrankor, fåglar och andra lyckobringande djur, samt traditionella folksymboler. Den stående kistan (pandaji på koreanska) med nr. 2 är ett exempel på en av de vanligaste möblerna som fanns både i den kvinnliga och den manliga delen av huset.

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Monterdel: Korea collections 2 - Joseon - Wood & lacquerwork
Titel: Trä & lackarbetenTr%C3%A4%20%26%20lackarbeten
Titel, engelska: Wood & LacquerwareWood%20%26%20Lacquerware
Titel, koreanska: 목칠공예%EB%AA%A9%EC%B9%A0%EA%B3%B5%EC%98%88
Beskrivning: I den här delen av samlingen finns bland annat ett antal olika trämöbler. Möblerna under Joseon (1392-1910) gjordes för att passa människors hem och livsstil. Rummen var vanligen små med låg takhöjd och oftast uppvärmda genom ett speciellt värmesystem som låg under golvet (ondol på koreanska). Värmesystemet är en av anledningarna till att Korea varit en sittande kultur, där de flesta av de dagliga sysslorna utförts sittandes på golvet. Möblerna var anpassade efter detta och var därför ofta låga, och på ben för att undvika att undersidan blev överhettad. I överklasshem levde kvinnor och män i separata delar av huset och detta återspeglas i möblernas design och funktion. I männens del av huset ansågs det lämpligt med enkla möbler, bland annat skrivbord, bokhyllor och förvaringskistor. I kvinnornas del av hemmet fanns klädkistor, sylådor och askar för brevpapper och speglar, ibland färgglada och med dekor. Träslag som användes var bland annat zelkova, kejsarträd, päron och furu. Utsmyckade beslag var också typiskt för möbler under Joseon, ofta i form av lyckobringande symboler eller djur. Lack användes i dekorativt syfte och för att skydda möbler och lådor. Lackerade föremål smyckades ofta med inlagda mönster i pärlemor, metalltråd, sköldpaddsskal och oxhorn. Populära motiv var vin- och blomrankor, fåglar och andra lyckobringande djur, samt traditionella folksymboler. Den stående kistan (pandaji på koreanska) med nr. 2 är ett exempel på en av de vanligaste möblerna som fanns både i den kvinnliga och den manliga delen av huset.I%20den%20h%C3%A4r%20delen%20av%20samlingen%20finns%20bland%20annat%20ett%20antal%20olika%20tr%C3%A4m%C3%B6bler.%20M%C3%B6blerna%20under%20Joseon%20%281392-1910%29%20gjordes%20f%C3%B6r%20att%20passa%20m%C3%A4nniskors%20hem%20och%20livsstil.%20Rummen%20var%20vanligen%20sm%C3%A5%20med%20l%C3%A5g%20takh%C3%B6jd%20och%20oftast%20uppv%C3%A4rmda%20genom%20ett%20speciellt%20v%C3%A4rmesystem%20som%20l%C3%A5g%20under%20golvet%20%28ondol%20p%C3%A5%20koreanska%29.%20V%C3%A4rmesystemet%20%C3%A4r%20en%20av%20anledningarna%20till%20att%20Korea%20varit%20en%20sittande%20kultur%2C%20d%C3%A4r%20de%20flesta%20av%20de%20dagliga%20sysslorna%20utf%C3%B6rts%20sittandes%20p%C3%A5%20golvet.%20M%C3%B6blerna%20var%20anpassade%20efter%20detta%20och%20var%20d%C3%A4rf%C3%B6r%20ofta%20l%C3%A5ga%2C%20och%20p%C3%A5%20ben%20f%C3%B6r%20att%20undvika%20att%20undersidan%20blev%20%C3%B6verhettad.%20I%20%C3%B6verklasshem%20levde%20kvinnor%20och%20m%C3%A4n%20i%20separata%20delar%20av%20huset%20och%20detta%20%C3%A5terspeglas%20i%20m%C3%B6blernas%20design%20och%20funktion.%20I%20m%C3%A4nnens%20del%20av%20huset%20ans%C3%A5gs%20det%20l%C3%A4mpligt%20med%20enkla%20m%C3%B6bler%2C%20bland%20annat%20skrivbord%2C%20bokhyllor%20och%20f%C3%B6rvaringskistor.%20%20I%20kvinnornas%20del%20av%20hemmet%20fanns%20kl%C3%A4dkistor%2C%20syl%C3%A5dor%20och%20askar%20f%C3%B6r%20brevpapper%20och%20speglar%2C%20ibland%20f%C3%A4rgglada%20och%20med%20dekor.%20Tr%C3%A4slag%20som%20anv%C3%A4ndes%20var%20bland%20annat%20zelkova%2C%20kejsartr%C3%A4d%2C%20p%C3%A4ron%20och%20furu.%20Utsmyckade%20beslag%20var%20ocks%C3%A5%20typiskt%20f%C3%B6r%20m%C3%B6bler%20under%20Joseon%2C%20ofta%20i%20form%20av%20lyckobringande%20symboler%20eller%20djur.%20Lack%20anv%C3%A4ndes%20i%20dekorativt%20syfte%20och%20f%C3%B6r%20att%20skydda%20m%C3%B6bler%20och%20l%C3%A5dor.%20Lackerade%20f%C3%B6rem%C3%A5l%20smyckades%20ofta%20med%20inlagda%20m%C3%B6nster%20i%20p%C3%A4rlemor%2C%20metalltr%C3%A5d%2C%20sk%C3%B6ldpaddsskal%20och%20oxhorn.%20Popul%C3%A4ra%20motiv%20var%20vin-%20och%20blomrankor%2C%20f%C3%A5glar%20och%20andra%20lyckobringande%20djur%2C%20samt%20traditionella%20folksymboler.%20Den%20st%C3%A5ende%20kistan%20%28pandaji%20p%C3%A5%20koreanska%29%20med%20nr.%202%20%C3%A4r%20ett%20exempel%20p%C3%A5%20en%20av%20de%20vanligaste%20m%C3%B6blerna%20som%20fanns%20b%C3%A5de%20i%20den%20kvinnliga%20och%20den%20manliga%20delen%20av%20huset.
Beskrivning, engelska: The objects presented in this category include a variety of wooden furniture. Furniture of the Joseon dynasty (1392–1910) was crafted to match the characteristics of people’s houses and lifestyle. Rooms in Korean houses were usually heated through a unique underfloor heating system (Korean: ondol). The underfloor heating system is one reason why Korea has been a floor-sitting culture, and most of the activities in Korean homes take place on the floor. Accordingly, furniture usually stands on short legs to avoid overheating of the base and is often quite low in height. In upper-class households, men and women had separate quarters. This is reflected in the function and design of furniture. The men’s quarters suited plain furniture including writing tables, bookshelves, and stationery or storage chests. Furniture placed in women’s quarters was sometimes coloured and decorated and included wardrobe chests, boxes for sewing or stationery material and mirror boxes. The different types of wood used for furniture include zelkova, paulownia, pear and pine. Also typical for Joseon furniture are the ornate metalwork fittings, often featuring shapes and decorations of auspicious symbols or animals. Lacquer was used to decorate or protect furniture and boxes. Lacquered objects were often adorned with inlaid designs made from materials such as mother-of-pearl, metal wire, tortoiseshell and ox-horn. Motifs included scrolling vines or flowers, birds and other auspicious animals, as well as folk symbols. The front-opening chests (Korean: pandaji) with the No. 2 represents one of the most common types of furniture used in both men’s and women’s quarters.The%20objects%20presented%20in%20this%20category%20include%20a%20variety%20of%20wooden%20furniture.%20Furniture%20of%20the%20Joseon%20dynasty%20%281392%E2%80%931910%29%20was%20crafted%20to%20match%20the%20characteristics%20of%20people%E2%80%99s%20houses%20and%20lifestyle.%20Rooms%20in%20Korean%20houses%20were%20usually%20heated%20through%20a%20unique%20underfloor%20heating%20system%20%28Korean%3A%20ondol%29.%20The%20underfloor%20heating%20system%20is%20one%20reason%20why%20Korea%20has%20been%20a%20floor-sitting%20culture%2C%20and%20most%20of%20the%20activities%20in%20Korean%20homes%20take%20place%20on%20the%20floor.%20Accordingly%2C%20furniture%20usually%20stands%20on%20short%20legs%20to%20avoid%20overheating%20of%20the%20base%20and%20is%20often%20quite%20low%20in%20height.%20In%20upper-class%20households%2C%20men%20and%20women%20had%20separate%20quarters.%20This%20is%20reflected%20in%20the%20function%20and%20design%20of%20furniture.%20The%20men%E2%80%99s%20quarters%20suited%20plain%20furniture%20including%20writing%20tables%2C%20bookshelves%2C%20and%20stationery%20or%20storage%20chests.%20Furniture%20placed%20in%20women%E2%80%99s%20quarters%20was%20sometimes%20coloured%20and%20decorated%20and%20included%20wardrobe%20chests%2C%20boxes%20for%20sewing%20or%20stationery%20material%20and%20mirror%20boxes.%20The%20different%20types%20of%20wood%20used%20for%20furniture%20include%20zelkova%2C%20paulownia%2C%20pear%20and%20pine.%20Also%20typical%20for%20Joseon%20furniture%20are%20the%20ornate%20metalwork%20fittings%2C%20often%20featuring%20shapes%20and%20decorations%20of%20auspicious%20symbols%20or%20animals.%20Lacquer%20was%20used%20to%20decorate%20or%20protect%20furniture%20and%20boxes.%20Lacquered%20objects%20were%20often%20adorned%20with%20inlaid%20designs%20made%20from%20materials%20such%20as%20mother-of-pearl%2C%20metal%20wire%2C%20tortoiseshell%20and%20ox-horn.%20Motifs%20included%20scrolling%20vines%20or%20flowers%2C%20birds%20and%20other%20auspicious%20animals%2C%20as%20well%20as%20folk%20symbols.%20The%20front-opening%20chests%20%28Korean%3A%20pandaji%29%20with%20the%20No.%202%20represents%20one%20of%20the%20most%20common%20types%20of%20furniture%20used%20in%20both%20men%E2%80%99s%20and%20women%E2%80%99s%20quarters.
Beskrivning, korea: 본 페이지의 유물들은 조선의 각종 전통 가구이다. 조선시대(1392-1910)의 가구들은 당시 조선인들의 가옥과 생활 양식에 맞추어 발전하였다. 조선시대 민가에서는 화기가 방밑을 지나 방바닥 전체를 덥히는 한국 고유의 난방 장치인 ‘온돌’을 사용했다. 온돌은 한국인들이 주로 평좌(平坐)식 생활을 영유하게 된 한 가지 이유이기도 하다. 이러한 평좌식 생활은 가구의 형태에도 영향을 미쳤는데, 가구의 높이를 주로 낮게 만들고 아랫부분에는 낮은 다리를 달아 바닥에서 띄움으로써 방바닥이 지나치게 뜨거워지는 것을 방지하였다. 조선의 양반층은 주거에 있어서 남녀 간의 엄격한 구별을 주거공간에도 적용하였으며, 이는 채(棟)의 분리를 낳았다. 이러한 양상은 가구의 기능과 설계에서도 잘 드러난다. 예컨대 남성을 위한 공간에는 현대 책상의 역할을 하는 서안(書案)과 연상(硯床), 책을 보관하던 책궤, 문방구와 수납함 등이 위치하였다. 여성을 위한 공간에는 대체로 채색을 하고 각종 장식으로 꾸민 의걸이장, 바느질함·문방구함, 거울을 세우는 경대(鏡臺)를 배치했다. 가구를 만드는 데 이용된 나무 재질에는 느티나무·오동나무·배나무·소나무 등이 있었다. 조선시대의 가구에서는 화려한 금구장식이 눈에 띄는데, 종종 길상의 의미를 담은 동물의 형상을 본 뜬 문양이나 전통 기하 문양으로 만들어졌다. 뿐만 아니라 가구와 각종 함들을 옻칠해 바깥면을 매끄럽고 더욱 견고하게 만들었다. 옻칠을 한 가구에 자개·쇠줄·거북이 등껍질·우각 등을 상감법을 이용해 붙이기도 하였다. 이 또한 문양은 덩굴식물·꽃·새, 길조를 상징하는 동물이나 전통 기하 문양 등으로 다양했다. 한편, 앞면을 반으로 나누어 한쪽 면만을 여닫도록 만든 가구인 반닫이는 (유물2호) 남녀 모두의 주거 공간에 있어서 가장 흔히 쓰이는 형태의 가구였다.%EB%B3%B8%20%ED%8E%98%EC%9D%B4%EC%A7%80%EC%9D%98%20%EC%9C%A0%EB%AC%BC%EB%93%A4%EC%9D%80%20%EC%A1%B0%EC%84%A0%EC%9D%98%20%EA%B0%81%EC%A2%85%20%EC%A0%84%ED%86%B5%20%EA%B0%80%EA%B5%AC%EC%9D%B4%EB%8B%A4.%20%EC%A1%B0%EC%84%A0%EC%8B%9C%EB%8C%80%281392-1910%29%EC%9D%98%20%EA%B0%80%EA%B5%AC%EB%93%A4%EC%9D%80%20%EB%8B%B9%EC%8B%9C%20%EC%A1%B0%EC%84%A0%EC%9D%B8%EB%93%A4%EC%9D%98%20%EA%B0%80%EC%98%A5%EA%B3%BC%20%EC%83%9D%ED%99%9C%20%EC%96%91%EC%8B%9D%EC%97%90%20%EB%A7%9E%EC%B6%94%EC%96%B4%20%EB%B0%9C%EC%A0%84%ED%95%98%EC%98%80%EB%8B%A4.%20%EC%A1%B0%EC%84%A0%EC%8B%9C%EB%8C%80%20%EB%AF%BC%EA%B0%80%EC%97%90%EC%84%9C%EB%8A%94%20%ED%99%94%EA%B8%B0%EA%B0%80%20%EB%B0%A9%EB%B0%91%EC%9D%84%20%EC%A7%80%EB%82%98%20%EB%B0%A9%EB%B0%94%EB%8B%A5%20%EC%A0%84%EC%B2%B4%EB%A5%BC%20%EB%8D%A5%ED%9E%88%EB%8A%94%20%ED%95%9C%EA%B5%AD%20%EA%B3%A0%EC%9C%A0%EC%9D%98%20%EB%82%9C%EB%B0%A9%20%EC%9E%A5%EC%B9%98%EC%9D%B8%20%E2%80%98%EC%98%A8%EB%8F%8C%E2%80%99%EC%9D%84%20%EC%82%AC%EC%9A%A9%ED%96%88%EB%8B%A4.%20%EC%98%A8%EB%8F%8C%EC%9D%80%20%ED%95%9C%EA%B5%AD%EC%9D%B8%EB%93%A4%EC%9D%B4%20%EC%A3%BC%EB%A1%9C%20%ED%8F%89%EC%A2%8C%28%E5%B9%B3%E5%9D%90%29%EC%8B%9D%20%EC%83%9D%ED%99%9C%EC%9D%84%20%EC%98%81%EC%9C%A0%ED%95%98%EA%B2%8C%20%EB%90%9C%20%ED%95%9C%20%EA%B0%80%EC%A7%80%20%EC%9D%B4%EC%9C%A0%EC%9D%B4%EA%B8%B0%EB%8F%84%20%ED%95%98%EB%8B%A4.%20%EC%9D%B4%EB%9F%AC%ED%95%9C%20%ED%8F%89%EC%A2%8C%EC%8B%9D%20%EC%83%9D%ED%99%9C%EC%9D%80%20%EA%B0%80%EA%B5%AC%EC%9D%98%20%ED%98%95%ED%83%9C%EC%97%90%EB%8F%84%20%EC%98%81%ED%96%A5%EC%9D%84%20%EB%AF%B8%EC%B3%A4%EB%8A%94%EB%8D%B0%2C%20%EA%B0%80%EA%B5%AC%EC%9D%98%20%EB%86%92%EC%9D%B4%EB%A5%BC%20%EC%A3%BC%EB%A1%9C%20%EB%82%AE%EA%B2%8C%20%EB%A7%8C%EB%93%A4%EA%B3%A0%20%EC%95%84%EB%9E%AB%EB%B6%80%EB%B6%84%EC%97%90%EB%8A%94%20%EB%82%AE%EC%9D%80%20%EB%8B%A4%EB%A6%AC%EB%A5%BC%20%EB%8B%AC%EC%95%84%20%EB%B0%94%EB%8B%A5%EC%97%90%EC%84%9C%20%EB%9D%84%EC%9B%80%EC%9C%BC%EB%A1%9C%EC%8D%A8%20%EB%B0%A9%EB%B0%94%EB%8B%A5%EC%9D%B4%20%EC%A7%80%EB%82%98%EC%B9%98%EA%B2%8C%20%EB%9C%A8%EA%B1%B0%EC%9B%8C%EC%A7%80%EB%8A%94%20%EA%B2%83%EC%9D%84%20%EB%B0%A9%EC%A7%80%ED%95%98%EC%98%80%EB%8B%A4.%20%EC%A1%B0%EC%84%A0%EC%9D%98%20%EC%96%91%EB%B0%98%EC%B8%B5%EC%9D%80%20%EC%A3%BC%EA%B1%B0%EC%97%90%20%EC%9E%88%EC%96%B4%EC%84%9C%20%EB%82%A8%EB%85%80%20%EA%B0%84%EC%9D%98%20%EC%97%84%EA%B2%A9%ED%95%9C%20%EA%B5%AC%EB%B3%84%EC%9D%84%20%EC%A3%BC%EA%B1%B0%EA%B3%B5%EA%B0%84%EC%97%90%EB%8F%84%20%EC%A0%81%EC%9A%A9%ED%95%98%EC%98%80%EC%9C%BC%EB%A9%B0%2C%20%EC%9D%B4%EB%8A%94%20%EC%B1%84%28%E6%A3%9F%29%EC%9D%98%20%EB%B6%84%EB%A6%AC%EB%A5%BC%20%EB%82%B3%EC%95%98%EB%8B%A4.%20%EC%9D%B4%EB%9F%AC%ED%95%9C%20%EC%96%91%EC%83%81%EC%9D%80%20%EA%B0%80%EA%B5%AC%EC%9D%98%20%EA%B8%B0%EB%8A%A5%EA%B3%BC%20%EC%84%A4%EA%B3%84%EC%97%90%EC%84%9C%EB%8F%84%20%EC%9E%98%20%EB%93%9C%EB%9F%AC%EB%82%9C%EB%8B%A4.%20%EC%98%88%EC%BB%A8%EB%8C%80%20%EB%82%A8%EC%84%B1%EC%9D%84%20%EC%9C%84%ED%95%9C%20%EA%B3%B5%EA%B0%84%EC%97%90%EB%8A%94%20%ED%98%84%EB%8C%80%20%EC%B1%85%EC%83%81%EC%9D%98%20%EC%97%AD%ED%95%A0%EC%9D%84%20%ED%95%98%EB%8A%94%20%EC%84%9C%EC%95%88%28%E6%9B%B8%E6%A1%88%29%EA%B3%BC%20%EC%97%B0%EC%83%81%28%E7%A1%AF%E5%BA%8A%29%2C%20%EC%B1%85%EC%9D%84%20%EB%B3%B4%EA%B4%80%ED%95%98%EB%8D%98%20%EC%B1%85%EA%B6%A4%2C%20%EB%AC%B8%EB%B0%A9%EA%B5%AC%EC%99%80%20%EC%88%98%EB%82%A9%ED%95%A8%20%EB%93%B1%EC%9D%B4%20%EC%9C%84%EC%B9%98%ED%95%98%EC%98%80%EB%8B%A4.%20%EC%97%AC%EC%84%B1%EC%9D%84%20%EC%9C%84%ED%95%9C%20%EA%B3%B5%EA%B0%84%EC%97%90%EB%8A%94%20%EB%8C%80%EC%B2%B4%EB%A1%9C%20%EC%B1%84%EC%83%89%EC%9D%84%20%ED%95%98%EA%B3%A0%20%EA%B0%81%EC%A2%85%20%EC%9E%A5%EC%8B%9D%EC%9C%BC%EB%A1%9C%20%EA%BE%B8%EB%AF%BC%20%EC%9D%98%EA%B1%B8%EC%9D%B4%EC%9E%A5%2C%20%EB%B0%94%EB%8A%90%EC%A7%88%ED%95%A8%C2%B7%EB%AC%B8%EB%B0%A9%EA%B5%AC%ED%95%A8%2C%20%EA%B1%B0%EC%9A%B8%EC%9D%84%20%EC%84%B8%EC%9A%B0%EB%8A%94%20%EA%B2%BD%EB%8C%80%28%E9%8F%A1%E8%87%BA%29%EB%A5%BC%20%EB%B0%B0%EC%B9%98%ED%96%88%EB%8B%A4.%20%EA%B0%80%EA%B5%AC%EB%A5%BC%20%EB%A7%8C%EB%93%9C%EB%8A%94%20%EB%8D%B0%20%EC%9D%B4%EC%9A%A9%EB%90%9C%20%EB%82%98%EB%AC%B4%20%EC%9E%AC%EC%A7%88%EC%97%90%EB%8A%94%20%EB%8A%90%ED%8B%B0%EB%82%98%EB%AC%B4%C2%B7%EC%98%A4%EB%8F%99%EB%82%98%EB%AC%B4%C2%B7%EB%B0%B0%EB%82%98%EB%AC%B4%C2%B7%EC%86%8C%EB%82%98%EB%AC%B4%20%EB%93%B1%EC%9D%B4%20%EC%9E%88%EC%97%88%EB%8B%A4.%20%EC%A1%B0%EC%84%A0%EC%8B%9C%EB%8C%80%EC%9D%98%20%EA%B0%80%EA%B5%AC%EC%97%90%EC%84%9C%EB%8A%94%20%ED%99%94%EB%A0%A4%ED%95%9C%20%EA%B8%88%EA%B5%AC%EC%9E%A5%EC%8B%9D%EC%9D%B4%20%EB%88%88%EC%97%90%20%EB%9D%84%EB%8A%94%EB%8D%B0%2C%20%EC%A2%85%EC%A2%85%20%EA%B8%B8%EC%83%81%EC%9D%98%20%EC%9D%98%EB%AF%B8%EB%A5%BC%20%EB%8B%B4%EC%9D%80%20%EB%8F%99%EB%AC%BC%EC%9D%98%20%ED%98%95%EC%83%81%EC%9D%84%20%EB%B3%B8%20%EB%9C%AC%20%EB%AC%B8%EC%96%91%EC%9D%B4%EB%82%98%20%EC%A0%84%ED%86%B5%20%EA%B8%B0%ED%95%98%20%EB%AC%B8%EC%96%91%EC%9C%BC%EB%A1%9C%20%EB%A7%8C%EB%93%A4%EC%96%B4%EC%A1%8C%EB%8B%A4.%20%EB%BF%90%EB%A7%8C%20%EC%95%84%EB%8B%88%EB%9D%BC%20%EA%B0%80%EA%B5%AC%EC%99%80%20%EA%B0%81%EC%A2%85%20%ED%95%A8%EB%93%A4%EC%9D%84%20%EC%98%BB%EC%B9%A0%ED%95%B4%20%EB%B0%94%EA%B9%A5%EB%A9%B4%EC%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Nummer i utställning: 77
Belongs to Del av utställning: Korea collections 2 - Joseon :: Joseon

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Korea collections 2 - Joseon - Wood & lacquerwork :: Trä & lackarbeten

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